TRMW Archives

* FYI, this stuff is old. The current TRMW is here.

February 2, 2006

Gutterbreaked

Nick Edwards posts a little email interview with yrs truly over at the always engaging Gutterbreakz. Hopefully I don’t make a total ass of myself and serve the fine electronic music-making people of PDX decently. Isn’t it crazy how blogs enable this micro-level diologue between scenes and fans, like oceans apart even? Pretty cool, I think. Big ups, Nick!

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November 8, 2005

PDX Indie Hype Alert!

Woah. I just got interviewed for this article on the Portland Music Scene (TM) that will soon be running in Canada’s national newspaper, The Globe and Mail. What’s more, this article will run on the frikking COVER of this Saturday’s issue, and be seen by millions of Canadian eyes across the land of Maple. This follows on the recent AP article about the P.M.S. (giggle), and last Sunday’s food article in the NYT Magazine. Portland, there are eyes on you.

The writer, Alexandra Gill, is putting together this piece as a sidebar to an article about how Montreal was the hyped music place last year, and how PDX could be next. She says she doesn’t think that will happen because Portland has had this reputation for a long time now, so it’s old news. She also thinks Portland has a more robust local music economy than Montreal, and would fair better if such hype were to occur here. (Speaking of which, I have no idea how Montreal is dealing with things like giant front page of the Sunday Arts section New York Times articles, would be curious to learn, and will def be checking out the main article this runs with.)

Mainly she wanted to talk with me about the PDX Pop Now! festival, and get my general take on things. I gave her the basics of how the festival started, scene happenings of the last couple years (weirdest/coolest thing ever = explaining the Blackbird to the biggest newspaper in Canada), etc. As for the general take: I still think, as I thought when I moved here, that Portland is special because it is small enough to have community and connectedness, but has the cultural vitality of a much larger place. And, as I told her, “I LIKE TREES.”

It’s always cool to hear an informed outside opinion on something you’re too close to see clearly, which Portland music has become for me. It’s like a pat on the back, and given her insights re: Montreal, a reassurance. Portland: we might blow up, but we ain’t gon’ pop.

Curious sidenote: Whilst googling the link for that AP story, I noticed a somewhat disturbing evolution in the headlines attached to it. First I got, “Portland becomes city of indie musicians”, then, “Indie rockers find a haven in youthful Portland”, then, “Portland scene lets musicians enjoy ‘extended adolescence’”, THEN, “Portland a city of ‘extended adolescence’ for indie musicians”. Um… ouch?

UPDATE: Here’s the article.

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August 3, 2005

Stereogummed

Hello Stereogum readers, and welcome to my humble blog zone. This is where I write about music – mostly of the electronic and rock and electronic/rock varieties – as it occurs in Portland, Oregon, and elsewhere. You got here because I posted some foggy ambivilences in regards to Target’s new indie rock ad campaign.

To be clear, I’m not trying to play punk-purist shot-caller (baller?) here, just pointing out something I stumbled on – scratch that, something that targeted me with lazer-sharp precision – and which seems to pack some kind of social relevance. In truth, a large part of me has no problem with this kind of campaign: if Target’s into it and the bands are into then that’s that, right? At least that’s what I told myself a year or so ago whilst playing a key role in a somewhat similar Nike campaign – so color me Fugazi? No.

But another part feels creeped out in a vaguely No Logo-ish kinda way. It’s one thing to place background music on a cartoon website, and another to create entire films dedicated to product-laden self-identification AND have real bands play in them (…right?). The difference is small but crucial, and probably has something to do with how convincing/realistic the “content” is, and the level of identification involved. I’m betting Jake and I have some of the same shirts, and I know we both like the Hold Steady. Or at least, I thought that was me…

So yeah: corporate culture, indie music, money, bands, Target. I’ll let you know when I figure it out.

In the meantime, those of you living in Portland should check out PDX POP NOW!, a free, all ages, local music fest I helped organize. It’s going down this weekend at Loveland, and it’s gonna be rad for reals. Oh, and yes, we’re corporate too. Damn.

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December 15, 2004

Just realized I’ve been made famous over at the Hyde Park Records website, so hello to any of you who got here that way. Also, hello to anyone who gets here via my employee picks (scroll down) in the Portland Mercury, since I think they might be mentioning this blog.

Now that you’re here, you might be wondering what this site is all about. The answer is mostly music, but not just music. You generally won’t find record reviews here. What you hopefully will find is occasionally insightful observations, centered around music but placing it in context, be that geographical (Portland, Oregon), historical, or personal. These peripheral but, to me, equally important parts of the music experience are often overlooked in offline music writing, probably in the interest of space and, uh, you know, describing the music itself. I’ll leave that part to the pros, and get right to the fluff.

About the linkers: The reason I have a Hyde Park Records t-shirt despite never having visited Chicago is dorky. I “virtually” met the man behind HPR, Derek Erdman, after I posted a link to his website featuring the entire Desperate Bicycles discography in mp3 format (also, this is rad). We got to talking about the record store he was opening up, he sent me a t-shirt, a picture was taken, and the rest is not-really-history. Derek seems like a pretty rad dude, the store looks awesome, and I’m all for more independent shops, so more power to him and it and amen.

Hyde Park Records

fig 13: hyde park records, chicago

The Portland Mercury is an alt-weekly here in Portland, OR. They have a regular Employee Picks column wherein experts in various fields dispense insider knowledge (sex shop worker lists porn/toys, wig maker lady lists wigs, etc), and they asked me to do the honors for this week. This is something I’ve been secretly craving for years (another is getting an I Saw U, put I’m pretty over that), so you can imagine my excitement. Hopefully my picks aren’t too hopelessly obscure, and I don’t look like a total geek. Is it just me, or does my head look lumpy?

In conclusion: this makes me happy, this cat is awesome, DIY FREE IPODS.

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December 1, 2003

Look Mom! I’m famous for a really stupid reason!

sweater

The Portland Tribune, Nov. 18th, 2003

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November 18, 2003

I just found a French radio broadcast featuring one of my tracks and one from Dr. Awkward. It’s about a year old now, but it’s still there. I have no idea what the guy is saying, but it’s really funny when he says “LESBIAN SPERM BANK” in English. Ah, the power of the interweb. Here’s the tracklist (down on the page), and here’s the stream.

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April 18, 2003

Can you believe it? This is dorky and hot, and not an oxymoron! Fantastic!

In other news, today I sent my track “I Was a Lesbian Sperm Bank” to Ted aka Roshi from XOX Magazine. He and some friends are putting together a little compilation of local Portland area electronic musicians, and they have requested my track for inclusion! It will be in all the best local shops (eg Ozone, Jackpot, Q is for Choir) and they are are pressing around 300 of them! More news as it develops. MTV here I come!

And in really lame news, I do indeed realize that there are numerous broken things littering this fine website right now, including the non-functional pictures section and myriad broken links. Rest assured, all will be made clean once I have more time, which will happen right around May 11th, when I graduate from college.

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Blast from the present!