TRMW Archives

* Hello there! You've stumbled onto the archived bloggage of TRMW aka The Real Matt Wright (wait... who?). This site contains posts from my stints blogging at Metempsychosis and Urban Honking, before I moved TRMW over to it's current home. Enjoy!

April 4, 2005

UrHo, meet TRMW

Hello UrbanHonking, my name is Matt Wright (the real one). I’m a 23 year old dude living in Portland, OR, totally obessed with music, going to lots of shows, putting on shows, DJ, plays in a band, you know the type. For work I do freelance music publicity. You may know me from my role on the sitcom Different Strokes or from my work with Holocene and Berbati’s Pan, or with the bands Blitzen Trapper and Adelaide (HOLLA!), and soon the Snuggle-Ups and (hopefully) Portland General Electro. I look like this.

I just moved over here from Metempsychosis, the semi-dormant mp3 label I help run, which is where this blog first took shape. It started out as a simple news feed on my artist page on that site. As such, it mostly served to alert my imaginary readers to new tracks I had posted. If you dig back through the archives, all of which made it here mostly intact, you’ll notice that the entries get shorter, and I get considerably younger.

The title of this blog is my attempt at establishing my realness within the virtual sphere. Used to be whenever I searched for “Matt Wright” (very rarely) I’d end up with this guy and some baseball players and ABSOLUTELY NO ME. This blog changed that; I am now Google’s tenth highest search result. That mission accomplished, I now face the larger challenge of asserting my identity off-line. Wish me luck.

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April 3, 2005

Geek Chic

Top four most common Google Image Search results for “geek chic” = bill gates, clay aiken, napoleon dynamite, weezer. Just thought you should know.

PS: This also is work-related Googling. Geek Chic is the name of the awesome dance party show going down at Holocene on April 15th w/ Glass Candy, Panther, Dantronix, and Workout. I originally thought it was called Geek Shiek, which honestly I kind of like better.

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March 30, 2005

BLACK HORSE FEATHERS

Googling bands is my job. OK there’s more to it than that but I do a shit-ton of it. Today I tried to google the band Black Horse. I typed in “black horse band” and one of the top results was this. Note the title of that page: Horse Feathers. That’s also the name of of a band in Portland, a band whose track I listened to as part of the PDX Pop Now compilation selection process. A band that is not Black Horse. I press on.

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March 12, 2005

PERFORMANCE

Last night my first band ever had our first show ever. We’re called Clap Amp and I’m not sure what we sound like. I told my mom I play “weird noises” on the synthesizer, so she can call it “dancey weird noises music” (also, she doesn’t think I can actually play keyboards and suggested I switch to tambourine ; emasculating). People who saw us tell me we sound like “Nice Nice but dancier” or “um, experimental but fun” or my personal favorite “halfway between something I wouldn’t like and something I would like, and I liked it”. These were all my friends, so of course they’re going to be complimentary, but it was still cool to see their reactions, especially since they were the first I’ve ever heard from anyone, ever. Steve thinks we rule, and that’s huge (unlike Steve who is really quite slight).

I myself had a fucking awesome time and freeked the fuck out. My girlfriend says I was making faces she’s never seen me make before. I caught flack for wearing shorts and flip-flops and dancing around like a hippy, but fuck that noise. It felt so amazingly good to bang my fists down on the keyboard and yell in time with each hammer drop while Ryan worked out the 1-2 slam beat and Pat got nutz with the feedback pedal. I predict many more house shows this summer. Stoked!!!!!!!!!

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March 4, 2005

Crackerjacked

I know I’ve kind of left you all hanging out there wondering DID HE GET HIS FREE IPOD? PLEASE TELL ME! and I’m happy to report that… I haven’t. YET.

BACKSTORY: A couple months ago I finally coerced my girlfriend and boyfriend into signing their lives away for my entertainment, which brought my grand total referrals up to the holy FIVE.

The next step after this is the “verification” process wherein the Gratis Network bigwigs dig down and try to figure out whether or not each of my referrals are actually unique, if their personal info has been sufficiently coopted, etc. These bigwigs came to the conclusion that Kristen was not a real person due to her having signed up using my computer. I filed a complaint and they, amazingly, gave her full credit. An order was placed = iPod gland secreting crystal-pure excitement and anticipation. Gross.

Fast forward a month or so and I finally receive a little package labeled FreeiPods.com. I open it lightning quick, anticipating the hours of pure geek bliss to follow. And it’s a t-shirt. This one:

THANKS GRATIS!!

fig 18: my american dream

There’s also a piece of paper explaining how they’re sending this t-shirt so I can show everyone how I stoked I am to have my free iPod, implying I should have it by now which, again, I don’t.

A strained but polite e-conversation takes place between me and Gratis customer service (nice guys actually) wherein they finally reveal who they ship through (DHL) and I finally track my order. Turns out the did send it out but for some reason it was returned to sender. Which seems to mean that my free iPod is currently gathering dust somewhere inside Gratis world headquarters. I filed a Custom Service Inquiry at the site

3/4/2005 4:21:18 PM
klunko@yahoo.com wrote:

I just tracked my order at DHL and it says my order was returned to the shipper. I’m not sure why this happened, as there were no delivery attempts to my knowledge. Can you please check to see if my order came back to you and send it again?

Like I said, they’re usually pretty quick to get back. But they haven’t yet. Stay tooned.

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February 21, 2005

Church of Psychedelia 2: White Rainbow, Exploratory Organ Ensemble, February 20th, Berbati’s Pan

[This post originally appeared on Team Tinnitus]

So let’s just get all that messy conflict of interest stuff out of the way now: I am mostly a publicist by trade and one of the places I work for is Berbati’s. So that’s that.

That that said (2 thats = artsy), I am really excited about this new improv/psych/weird music monthly curated by Josh Blanchard of Point Line Plane. Each night is lovingly arranged by Josh to include ornate visual projections of the brain-fried variety, DJs, and out-there musicians of the kind you’d normally only see at Dunes. Used to be you could see this kind of thing at the Blackbird, but that’s gone now, and underground art-fart music in a rock venue has become something of a rare bird (PUN!).

Chantelle Hylton, who booked the Blackbird, was largely responsible for that venue’s eclectic programming and she books the B.Pan now. She’s been trying to work within what she thought was, and to some degree is, a more mainstream rock club format, but is starting to realize she has more freedom than she originally realized. Berbati’s is run by some pretty open-minded Greeks, provided people come out and people DRINK, which hipsters do. So things like the Church of Psychedelia are permitted, and to some degree encouraged. This is exciting, and I hope to see more of it going on. We’re actually working on another somewhat similar series right now, but I’m this close to advertorial mode, so I’ll shut up about that.

One of the nice things about this show and the last one is how visually compelling the whole thing(s) is. This time there were three projections with two dedicated dudes manning the visuals. These were mostly melting digital shapes, forest imagery, blurred-out women walking in blinding white expanses – you know, trippy shit. Everything I saw was really beautiful and looked like it took a good amount of time to put together.

The first band was the Exploratory Organ Ensemble, a one-off improv project featuring members of Strategy (ok, THE member of Strategy), Yuma Nora, Space Hawk, and I’m sure many other Dunes-y bands. Performers were encouraged to bring along an organ of some kind, and a couple opted for accordions. They all gathered together in one big improvisatory mass, playing droney variations on one major-sounding chord. This reads like a mess but was actually really soothing and lovely. Think of the first track off Boards of Canada’s Music Has the Right to Children stretched out for twenty minutes or so.

The next band was White Rainbow, which is the solo project of Adam Forkner (VVRRZZNN, WORLD, many other little projects I’m sure). His performance took place within a giant white tent/cave, which took up the entire stage. The cave had some of the aforementioned trippy visuals projected on to it. We couldn’t see what he was doing in there (deft manipulation of rockist performance expectations or just plain pretentious? you be the judge) but we could hear it through four speakers situated around the room, two of which had been brought in just for this performance (hence “full spectrum”). The music was long harmonic drones (couldn’t tell what instrument was making them) which were occasionally distorted, then high planes electric guitar riffage (think Neil Young’s Dead Man soundtrack). This got kind of boring after a while so we left.

OK, so the whole thing was a little pretentious, but I’ll take that over predictable anyday. The Church of Psychedelia is rad; long live the Church of Psychedelia.

Drinks drunk: 4 beers

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February 16, 2005

I’m starting to get really excited about the Blitzen Trapper CD release show, taking place this Friday at good old Berbati’s Pan. I booked the whole thing myself, which I don’t usally do. I’m very stoked about how the lineup came together – varying degrees of “artsy” and “poppy” overlapping in nice ways. These are three of my favorite bands in town on one bill and it feels good to be a part of that. Check out the long-winded press release I wrote for it here.*

Here’s my first ever MP3-bloggy link:

Blitzen Trapper - Summer Twin

Here’s the awesome poster, designed by the B.Trap:

Blitzen Trapper Field Rexx CD Release poster

fig 17: cum, join us.

Do get there early so you can catch the Graves, who never play out and are very talented in a low-key way. Just listened to their first album again this weekend, and yeah it’s still very nice. The Kingdom are great too, and I’m not the only who thinks so – they just got signed to the only biggish label in town.

Steve and I (CUM LAZER) will be in full effect too, dropping poorly mixed heat between bands and afterwards. I’m hoping to instigate full-on dance party action before the night is out, which would would be a first for me in those vaunted Greek halls.

Sort of funny story: the wonderful lady who books Berbati’s, Chantelle Hylton, took the liberty of putting us on the venue calendar as “special guest superstar deejay duo CUM LAZER!!”. I thought that was cute. I also mentioned us in the press release for the show as CUM LAZER DJs – so as not to imply bandness. The end result? The “superstar” bit made it into all the calendar ads in the papers, and the Mercury listed us as CUM LAZER DJS (which sounds like the lazer coming back from the future to save the present). Thus my attempts to avoid confusion only create more weird ambiguity, which makes perfect sense. CUM LAZER: it’s all in yr mind. TRIPPY!

Also, ramen actually smells really good after all the water in the pot has evaporated due to compulsive blogging whilst boiling noodles, some of which are now cemented to the bottom of said pot in an appealing brain-like pattern. They smell like mac ‘n’ cheese when you leave it in the stove longer than you’re supposed to, which I do, because Grandma always made them that way. In short: I *heart* burnt noodles. Not sure about the band though (figure 18).

Burnt Ramen

fig 18: burnt ramen (butchered hens rule)

* (I don’t think I’ve mentioned this yet on the ol’ blog, but I do music-related publicity for my (meager) living, and one of the things I’m doing right now is promoting this album. I booked this show and sent out a press release, hoping that local music scribes might take the occasion to get PUMPED on the Trapper and inform the public, thereby causing all of Portland to realize the pop genius lurking in our midst. The cynical/smart among you will be reading $$$ into my enthusiasm, but trust me: I feel this band, LOTS. They are indeed wonderful and they deserve to be heard. This is my mission.)

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February 14, 2005

Very soon now TRMW will be moving over to Urban Honking (here), and I’m really really excited about it. UrHo, as they call it, is a local Portland blog community of sorts, which also includes a show calendar and message board. It’s a very special thing, with lots of great creative stuff going on. There’s talk of Team Tinnitus moving over there too eventually. My music will stay here on Metem, where it belongs, but this rambling all-about-me stuff will be gone. Stay tuned!

Just got around to reading this (it’s been shortcutted on my desktop for weeks) and quite enjoyed it. That last sentence is me to a T – it’s almost creepy. Probably the only blog that’s really managed the YobNik stance would be this one, which sets it apart from pretty much every other music blog out there.

Stuff like this is why I like blogs (well, one of them); serious thought about music and how it relates to society, totally divorced from release dates and totally, wonderfully pretentious.

beatnik
fig 16: beatnik, guitar, she-beatnik

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February 9, 2005

Woke up today, got in the car, and a billion tiny metallic noises took off. That was the CD player firing up where it left off last night, in the middle of the third track off the new Mahjongg album. All that banging and scraping was too much for the morning, but it was over soon, and the next track was JUST what I needed.

It’s called “The Stubborn Horse” and it’s wonderful. It starts like it should, with a horse neighing sample (for more equestrian sampling fun see: the Ponys), and kicks right into this dead simple and perfect little stones riff (really just one bent guitar string) accompanied by sighing synth pads, a bouncy beat, and a faux-Bowie singing something about how if you don’t do this or that “this horse won’t go”.

That song had me smiling as I turned left onto Albina en route to the best coffee shop in the world (along with the other one). Amazingly, the next track was almost better. It’s called “Thegg” and it ‘s got this stomping motorik beat with layers on layers of propellant guitar riffs with dubby feedback skree going off in the background. I parked the car and sat there like a dork waiting for the song to end. Some hip girls walked by and I triend to look busy with the cellphone, as opposed to just weird. The pay-off was a section of long ‘n’ fuzzy one-note riffage, closing out with some Make Up-syle boogieloo. It was worth it.

The opening phrase “nigger is the woman of the world” (thank you, John Lennon) is confrontational and seems to imply more “meaning” than the rest of the mumbled jumble-talk on this track. I’d call that phrase the only thing marring an otherwise perfectly blank jam out. I’m all for feminism in music, but back it up like John-o did if you’re going to throw those words out there, because they’re loaded. Maybe I should just listen to the lyrics harder but that doesn’t seem like the point here.

All in all tho, two great incoherent art-rock messes. Everything else I’ve heard off the album has fallen flat in comparison; the next song starts out with the lyrics “Get high / Get stupid / Get AIDS” and that’s just… stupid.

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January 29, 2005

Best of 2004

Wherein I finally post something resembling my favorite records of 2004. I have a reputation for showing up ten minutes late for everything, so I suppose it only makes sense that I should be about a month late to the end of the year. But fuck it. As a music obsessive, I feel compelled to compile these annual best-of lists, even if I do feel a little conflicted about the whole thing, for many of these reasons. I’ve been waffling on whether or not to do it this year, but, after reading and enjoying other people’s lists (click click click click click click click + magazines + emails), it only seems right that I should “give back”, or something.

That decided, I started my list, and quickly found myself in the odd position of having only three two solid favorites for 2004. Which seems really weird to me. I heard shitloads of music last year; how can it be that so little of it left any real impression on me? I’m thinking maybe it has something do with listening to too much music (by the time I finally get around to downloading/buying that album I needed to hear there’s five more in the queue, repeat), and something to do with spending a lot of time searching out old records. So what then, a top 2? Seems kind of anticlimactic.

Also, I have a hard time assigning rankings to music I like, and I’m lazy, and I like to avoid things I have a hard time with.

All of this leads to the semi-compartmentalized, not-really- hierarchical un-list you see below. I feel this format allows me to more accurately reflect the stuff I heard and how I felt about it, and prevents me from tossing in a bunch of stuff I wish I heard and half-like into something like the traditional 10.

In the end, the point of all this is really just to turn you the reader on to some good music I think deserves attention. This is what many of the lists I’ve read these past couple weeks have done for me; I hope this one does the same for you.

The Big Two:
Brooks Red Tape (Soundslike)
The Ponys Laced With Romance (In The Red)

Wish I’d listened to More:
Joanna Newsom The Milk-Eyed Mender (Drag City)
Kanye West College Dropout (Roc-a-Fela)
Animal Collective Sung Tongs (Paw Tracks)
Green Day American Idiot (Reprise)
Youssou N’Dour Egypt (Nonesuch)
Viva Voce The Heat Can Melt Your Brain (Minty Fresh)

Honorable Mention:
Cut/Copy Life Like Neon (Modular People)
Juicy Panic Otarie (InPolySons)
cry.on.my.console Rum Loving Bass Pirate
Soundhog As Heard on Radio Soundhog Volumes 4 & 5
boom selection
20 Jazz Funk Greats

Portland, Oregon (recorded, albums):
Strategy Drumsolo’s Delight (Kranky)
Blitzen Trapper Field Rexx (Self Released)
Viva Voce The Heat Can Melt Your Brain (Minty Fresh)
Adelaide Adelaide EP (Self Released)

Portland, Oregon (recorded, songs):
YACHT “I Love a Computer”
YACHT “SHTML”
Blitzen Trapper “Pink Padded Slippers”
Dykeritz “The Fountain of Youth vs. Everlasting Life in Heaven”
Alan Singley “Seem To Have Forgotten” (anyone know the real name of this song?)

Portland, Oregon (live):
PDX POP NOW!
Nice Nice Alarmist CD Release Party (The Fritz)
The Snuggle Ups PORCH P*L*U*R 2004 (The Orange Room
Wet Confetti PDX POP NOW! (The Meow Meow [R.I.P.])
Portland General Electro KPSU Fundraiser (Some Dude’s House)
Menomena, The Joggers, talkdemonic (Lola’s Room)
Mirah PDX POP NOW! (The Meow Meow)
The Hunches The Triggers’ Second-to-Last Show(Jasmine Tree)
The Triggers, Electric Eye The Triggers’ Last Show (Berbati’s)
Clorox Girls Easter BBQ Party (PRA House)
Easter Beer Hunt (Laurelhurst Park)
Wet Confetti, Knock It Closer, CUM LAZER Big-Ass Halloween Party (Katie’s House)

Seattle, Washington (live):
The Girls Secret Bumbershoot Show (The Funhouse)

Killer Singles:
M.I.A. “Galang” (XL)
Air “Run” (Astralwerks)
The Thermals “How We Know” (Sub Pop)
Junior Boys “Belona” (KIN)
CASH “My My My” (BlackGround / Universal)
Mario “Let Me Love You” (3rd Street/J
Snoop Dogg “Drop It Like It’s Hot” (StarTrax)
Jammin95.5

Killer Single + Best Video Ever:
Ludacris “Get Back” (Def Jam South)

Old Stuff I Found and Loved in 2004:
Swell Maps A Trip to Marineville (Secretly Canadian)
Swell Maps Jane in Occupied Europe (Secretly Canadian)
Caetano Veloso Caetano Veloso [1968] (Philips)
King Sunny Ade Juju Music (Mango)
Au Pairs Playing With a Different Sex (RPM)
Alice Coltrane Huntington Ashram Monastery (Impulse!)
Brian Eno Discreet Music (Editions EG)
The Monks Black Monk Time (Repertoire)
Plaid Booc EP (Warp)
The Seeds “I Can’t Seem to Make You Mine”
13th Floor Elevators “You’re Gonna Miss Me”

CUM LAZER’s Fave Mid-to-Early Nineties Party Classix:
Skee-Lo “I Wish”
Montell Jordan “This Is How We Do It”
Freak Nasty “Da Dip”
Tag Team “Woomp! There It Is”
Salt n Pepa “Push It” (ok, late 80s)
Naughty By Nature “Hip Hop Hooray” / “OPP”

Steve Winwood Song That Nobody Realizes Is As Funky As It Is:
Steve Winwood “Higher Love”

NO, really. At the tail end of 2004 I performed kareoke to this song, as it is one of the few songs I know all the words too. My mom had a tape of it growing up, and I distinctly remember being left in the car, playing this song on repeat, memorizing the words, and singing my pre-adolescent heart out to it over and over again. I hadn’t heard it for quite a while, but when the backing music came up it all came rushing back. And I remembered: this song has the wickedest pseudo-Afro synthetic percussion / fake-ass orchestral synth combo going on, like, ever! People don’t realize this. I told my girlfriend as much, and now the phrase “nobody realizes how funky that song is” will live on forever as the supreme indicator of my complete and total music geekiness.

Here’s to a geeky 2005!

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