TRMW Archives

* Hello there! You've stumbled onto the archived bloggage of TRMW aka The Real Matt Wright (wait... who?). This site contains posts from my stints blogging at Metempsychosis and Urban Honking, before I moved TRMW over to it's current home. Enjoy!

June 3, 2005

CLAP AMP TONIGHT

Breaking news for blog-reading friends! The band I’m in, Clap Amp, just hopped on this awesome house party show last minute and it’s going to RULE. This will be our second show EVER, and we are so stoked. This house is right around the corner from my house, which means the neighborhood is super quiet, so the music is early. We are the first band so get there at 8PM FOR REAL if you want to see us. The other bands are awesome too, all of them.

8PM >>> CLAP AMP, WE QUIT, CHEVRON, JESSICA JONES >>> 10PM
playing
at
4221 se washington. one block south of stark
music starts at 8, ends at 10
free

(stoked)

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Bob Head Round the World

The Ultimate Blogger competition is the best thing to hit the Internet since sliced AOL. They’re down to their final two contestants, and one of them has taken the other one hostage. The hostage taker is now demanding viewers send him head bobbing videos. Here’s mine.

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June 1, 2005

Sasquatch Festival 2005, The Gorge Amphitheater, 5/27

[This post originally appeared on Team Tinnitus]

sasquatch hands

Sasquatch is a hairy beast that lives in the woods, also known as Bigfoot. Sasquatch is also a music festival that takes place once a year, way out in bumfuck Washington. The town of George, Washington to be exact, which is an awesome name for a town. I went this year and this is what I saw.

A.C. NEWMAN: I didn’t really get into this guy’s set, can’t really say why. It’s really nice music, but maybe it just seemed a little too straight after shotgunning beers and smoking j’s at 1pm. Yeah, that’s probably what it was.

MENOMENA: I feel like I’ve been completely stalking these dudes lately. They’re probably starting to get a little creeped out. I saw them at SXSW, after the Gang of Four show at the Filmore, then here. It’s like every time they leave Portland, there I am, waving awkwardly, mooching band beer, always, THERE. I swear this is just coincidence. Anyway, they were good, it’s awlays cool to see people I don’t recognize getting stoked on their wonderful music, and Brent seemed to be wearing a kids soccer uniform. Who’s creepy now, HUH??

(Horrible period where my only options were Jem, Blue Scholars, and the Dears, NONE of which appeal to me at all. Bummed a cigarette under a tree. Smoked out to Jem’s whitebread reggae.)

ARCADE FIRE: My friend Javan and I were talking about Canadian bands and I was saying something halfway snarky about “trying really hard”. Which is a good thing right? I honestly wanted to mean it that way but sometimes I don’t, and I honestly didn’t know what I meant when I sat down for this show. Midway through the Arcade Fire’s set – the emotional histrionics and the dudes running around banging on stuff and making orgasm faces like some kind of indie-rock Stomp – and I thought I knew. “Trying really hard” can be like when Celine Dion tries really hard, holds her stomach, slowly curls her hand into a fist and raises it towards the heavens. It can mean schmaltz.

And yet somehow I went away liking this band more. Their songs really are pretty amazing, they sound great in a huge-ass canyon/cliff setting, and they really ARE trying hard and that’s a good thing and I hate my asshole self for implying otherwise.

WILCO: Liked it. Nils Kline is an awesome guitarist. “Spiders (Kidsmoke)” was made for arenas like this one.

kanye west

KANYE WEST: So great. Awesome performer, all the more impressive given his skill as a producer. Played snippets of classic R&B hits to introduce his own R&B hits. Possibly the highlight. “Possibly” because later on my friend Kat was saying how she thought the lyrics to this song were a little effed up. I totally ignored this at first, then I read these awesome, thought-provoking posts from Julianne Shepherd and Jessica Hopper, and I got to thinking, wait, what is up with that song? And, maybe more importantly, why did I instantly dismiss my female friend’s complaint? No really, READ THOSE POSTS.

MODEST MOUSE: Good band, but I think I’ve officially decided (officials please take note) that this is not “my” good band. I just can’t really get into it. I feel like they have two basic songs, the sad song and the angry song, and I am just not needing all that sadness and anger. But (surprise!) I really like “Float On”. All my friends like them and I like my friends so I’m not talking shit. Just talking.

THE PIXIES: I never ever ever thought I’d see the Pixies once, let alone three times in my lifetime, as I now have. At this point the thrill of seeing these amazing, AMAZING!! songs live has faded and I am free to fixate on the bad parts of their show, and their are enough to make me wish I had only seen them once.

the pixies from really far away

CONCLUSION: Really fun way to spend a Saturday with good friends. Really really hot. Next time save energy for the post-fest party in the campground. Bring a frisbee.

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Banana Peels in Reverse

Moog Button

The man on the pin is Robert Moog. Tonight Jackpot Records put on a free screening at Lola’s Room, featuring the recently released MOOG docu-bio-mentary and Made in Sheffield, another documentary about the late 70′s post-punk scene in Sheffield, England.

Sheffield showed first and pretty much sucked. I’m very interested in this time and place as it relates to music, particularly the bleed over (or am I imagining this?) from post-punk/industrial to early Rave. I was hoping this film would explore that zone given it’s subtitle “The Birth of Electronic Pop”. Instead I got interviews with the Human League, Cabaret Voltaire, Vice Versa, ABC, and other scene contemporaries. A general behind-the-music-with-a-camcorder production aesthetic (complete with cheese-ass computer font titles), meant these interviews had to carry the film. They didn’t – some interesting trainspotting content notwithstanding – largely because pretty much everyone speaking lacked any charisma whatsoever, often coming off like self-rightous pricks. The main lesson here is that even vocally anti-rock musicians can embody the ego-driven, entitled, cock rock persona.

MOOG, on the other hand, is one of the most endearing documentaries I’ve seen in a while, musical or otherwise. It didn’t hurt that Mr. Moog himself is one of the most charming, thoughtful, and genuine people on this green ball. He also seems to have spent his life surrounding himself with people just like him, and hearing them all talk to each other about creating and exploring new musical intruments with totally undiminished and pure enthusiasm is totally inspiring. It makes me want to build a life like this, and it makes me feel like I can. At one point Moog describes the process by which he became the Moog as “slipping on a banana peel in reverse”. And that’s just lovely.

ps: my friend don the amazing dancer was also at this screening and had the exact opposite experience. don also told me he’s reading this blog so maybe he’ll chime in now. don?

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CULO!

Here’s an awesome primer on “reggaeton, grime, baile funk, and the globalization of hip-hop”. Very useful right about now. Turns out Pitbull’s “Culo” is reggaeton, and I love that, so I’m downloading Daddy Yankee. The internet is amazing!

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May 27, 2005

Stereo Total, The Gossip, Hawnay Troof, Berbati’s Pan, 5/25

[This post originally appeared on Team Tinnitus]

I tried to get some nascent Team T’ers to blog this one but both of them wussed out. WUSSES! So the burden falls to me, and lo it is a heavy one, as heavy as 15 minutes spent running my mouth into this text box. But I digress.

This show was good, if a little long for me. The Gossip were outstanding. I saw them a couple nights before at Dunes. They were a little rusty, which makes sense given that was their first time performing the new songs off their forthcoming album, which they had just finished recording a couple days before. The Berbati’s show was tight though. Beth Ditto sings with bale force, knocking all cynicism to the walls, barelling down on your very soul. She is one of the best performers in indie rock, hands down. Seeing her makes you wonder if there even are any other real performers out there, such is the order of magnitude by which she breathes fire and screams dirt on the skinny-tie masses (what?). Ironically, The Gossip seem to be moving towards the least soulful corner of that crowded room, that of “dancepunk” or whatever we’re calling the Rapture now. Yeah, there’s neo-disco riffs now, some of which I’m betting Nathan (the guitarist) picked up at his killer Suicide Club DJ nights at the aforementioned Dunes (that other Gossip show was actually part of Suicide Club, come to think of it). Mostly it works – transforming Ditto from the swamp blues mama we know to the classy disco diva she might be – but sometimes it sounds lite and unfunky. Oh yeah, and the new drummer is great. She bangs the living shit out of those drums and looks stoked to be there.

I saw Stereo Total two times in close succession a couple years ago, both very very fun shows. This show was fun, but the crowd was less excited, and I got tired towards the end of it. The songs started sounding a little samey, which I don’t remember happening before. I think maybe it was a longer set. Also the other times I saw them they built up slowly from purely synth songs to more rock performance style, which lent a nice little story-arc to the whole thing. This time the songs were more mixed up. They’re still wonderful tho, and I’ll def be seeing them next time they’re in town.

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Portland General Electro (mp3)

pge-button

Biked down Belmont and got shakes with Barrett from Portland General Electro, which is a very nice thing to do on a hotter-than-satans-nipples day like this. Looks like I’m gonna be doing promo for their new/first album, and maybe a little tour action to follow. Barrett gave me the not-quite-final version of the album, and I’m bopping around in my desk to it right now. It’s called We Are PGE and it comes with a swanky button, as shown above. There some monster tracks on this thing, total hard electro perfection, like Black Strobe minus the coke-monster edge with ultra pop hooks. Chris’ background making drum ‘n’ bass tunes manifests in finicky hi-hat syncopations and squiggly filtered synth riffs, both of which set PGE apart from some of their more straightforward boom-clap electro contemporaries (not that that’s a bad thing). Here are some MP3s for you all to enjoy on this fine Friday afternoon.

Portland General Electro - Model 46-L
Portland General Electro - Robotica

Also, if you’re looking for something to do tonight you might consider seeing the the Snuggle Ups, who are opening for their favorite band ever, Architecture in Helsinki, at Doug Fir. They are so all-capitals STOKED! Or you could see Caribou + Junior Boys, or Mahjongg, or Kim Hiorthøy. Sheezus! When it rains it pours, my friends, and it’s comin’ DOWN tonight!

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May 26, 2005

Sunshine Makes Short Posts

This video is pretty awesome.

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May 23, 2005

SO SO JEALOUS

My friend and bandmate Pat Wensink does not have a blog, so here I am, posting this amazing paragraph for all the world to see:

“Dude, Vegas was awesome. The gambling and shit was fun. Seeing my family was great. But Stevie Wonder kicks ass. His voice is great, awesome showman. And of course, every song he played was great. But it was also a big-wig fundraiser for Tiger Woods’ charity. So Conan Obrien came out and did a couple jokes and then, holy shit, it still gives me goosebumps, totally unanounced during Superstition, Prince, yep THE PRINCE, came out and played with Stevie. Totally blew my mind. Wow.”

UM, HOLY FUCKING SHIT!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

ps: counting crows opened. wtf??

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Crispy Critters / Nostalgia for Breakfast

Sorry, I’m posting about obsolete breakfast cereal. I somehow stumbled on this half-way funny article the other day, and it all came rushing back: that alien, those creatures-I-mean-”critters”, that hazy 80′s TV sheen. I loved this product, and as of two days I had totally forgotten this product existed. Seems kind of sad in a way, but really really probably shouldn’t.

Anyway, here’s a little song and dance for ya:

Crispy Critters

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