TRMW Archives

* Hello there! You've stumbled onto the archived bloggage of TRMW aka The Real Matt Wright (wait... who?). This site contains posts from my stints blogging at Metempsychosis and Urban Honking, before I moved TRMW over to it's current home. Enjoy!

November 15, 2005

Ethan Rose (mp3)

Ethan Rose

Ethan Rose is a friend of mine from college, who also happens to be a very talented musician. When I say “from college”, I don’t mean we were actually friends then – but I wanted to be. I met Ethan after stumbling into his senior recital (he was a music major; I was a minor), which took place in the beautiful Ewok village style chapel at Lewis and Clark College. The music was a mix of Mu-Ziq style melodic IDM, modern classical composition (one part paired strings with sequencer), plus an inexplicable and totally awesome dub jam. These were all things I was very into at that time. I remember running up to Ethan afterwards and basically asking him to be my friend. It didn’t work: Ethan was distracted loading out his gear, we didn’t run into each other for at least a year after that.

Portland being as small as it is, our paths eventually crossed again. Ethan’s band Adelaide started playing shows at Berbati’s, and we finally became friends. It’s been cool to see his talents gradually seep out into the world, both with Adelaide, who’ve gotten some decent local love and gone on 2 successful tours, and with his lesser known solo stuff. (I should add that I worked press for Adelaide’s tours.)

Where Adelaide is mellow post rocky vibes, Ethan solo is a fucking gorgeous mix of musique conrete and ambient styles. Ethan treats pianos and samples to create a swirling mass of unidentifiable yet distinctly organic sound. His debut full length album, Ceiling Songs, was released earlier this month on the excellent experimental label Locust Music. The album consists of three tracks. The first is 15 minutes long; the second 20; the third 5. These parts flow together as one, filtering in and out of one another as abstract melodies gradually emerge from white noise and fuzz.

Locust has released music by people like Glen Kotche (who also plays in Wilco), Josephine Foster, Matmos, and Keith Fullerton Whitman, and their records are pretty consistently reviewed in magazines like The Wire and Arthur. Hopefully this means that Ethan’s stuff might start to be appreciated by a larger audience. I sure hope so; it’s some of my favorite music to come out this year.

Here’s the third track off Ceiling Songs:

Ethan Rose - Ceiling Song 2

PS: The cover art for this album was stitched together by my dear friend Kat Mannock. It’s a family affair.

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November 8, 2005

PDX Indie Hype Alert!

Woah. I just got interviewed for this article on the Portland Music Scene (TM) that will soon be running in Canada’s national newspaper, The Globe and Mail. What’s more, this article will run on the frikking COVER of this Saturday’s issue, and be seen by millions of Canadian eyes across the land of Maple. This follows on the recent AP article about the P.M.S. (giggle), and last Sunday’s food article in the NYT Magazine. Portland, there are eyes on you.

The writer, Alexandra Gill, is putting together this piece as a sidebar to an article about how Montreal was the hyped music place last year, and how PDX could be next. She says she doesn’t think that will happen because Portland has had this reputation for a long time now, so it’s old news. She also thinks Portland has a more robust local music economy than Montreal, and would fair better if such hype were to occur here. (Speaking of which, I have no idea how Montreal is dealing with things like giant front page of the Sunday Arts section New York Times articles, would be curious to learn, and will def be checking out the main article this runs with.)

Mainly she wanted to talk with me about the PDX Pop Now! festival, and get my general take on things. I gave her the basics of how the festival started, scene happenings of the last couple years (weirdest/coolest thing ever = explaining the Blackbird to the biggest newspaper in Canada), etc. As for the general take: I still think, as I thought when I moved here, that Portland is special because it is small enough to have community and connectedness, but has the cultural vitality of a much larger place. And, as I told her, “I LIKE TREES.”

It’s always cool to hear an informed outside opinion on something you’re too close to see clearly, which Portland music has become for me. It’s like a pat on the back, and given her insights re: Montreal, a reassurance. Portland: we might blow up, but we ain’t gon’ pop.

Curious sidenote: Whilst googling the link for that AP story, I noticed a somewhat disturbing evolution in the headlines attached to it. First I got, “Portland becomes city of indie musicians”, then, “Indie rockers find a haven in youthful Portland”, then, “Portland scene lets musicians enjoy ‘extended adolescence’”, THEN, “Portland a city of ‘extended adolescence’ for indie musicians”. Um… ouch?

UPDATE: Here’s the article.

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November 7, 2005

The Puffy Chair = Rad Movie

My friends Yona and Christina recently attended the Bend Film Festival, where they met this guy named Mark Duplass, who makes movies with his brother. The Duplass Brothers have done a couple really funny shorts and one movie. The movie is called The Puffy Chair, and last night Yona screened it for us on Javan’s big ass projector screen.

The movie follows Josh, played by Mark himself as your uncomfortably familiar 20s indie-rock guy who’s band just broke up, who’s now calling himself a “booking agent” whilst scoring the occasional gig for friends’ bands. I won’t go too big into the plot (these reviews do) but it’s basically Josh, his girlfriend Emily, and his brother Rhett on a sort of misguided road trip mission involving the titular chair (i love the word “titular”), some really funny “Curb Your Enthusiasm” situations, and major, major relationship trauma.

This movie has some seriously amazing acting in it, is really funny, smart, and deep. And it totally nails some things about my age group that I’ve never really seen on screen. For one thing, I’ve never seen a booking agent portrayed in the movies, let alone convincingly, with the anxious mix of “yeah, i’m living the dream / oh shit, what the fuck am i doing” it has here. And the characters speak and relate like people I know. “Dude” is used like dudes actually use it – as in A LOT, with Eskimo-for-snow levels of gradation and meaning. Josh calls his freaking girlfriend dude, which is really annoying and totally something I’ve done. Josh’s brother, Rhett, captures perfectly the kind of post-raver, post-hippie, psuedo-stoner, vaguely New Age mentality that we all know so well. When things get touchy feely he’s the one saying “do you guys feel this?”, swirling his hands towards invisible vibes, eyes open wide. He’s the spiritual party bro, taking videos of lizards and vibing hard. I know that guy. I am that guy (and other guys).

So yes, those are some pretty superficial reasons to get into a movie, and there’s way more to it than that. Definitely see this movie if you can. Maybe it’s on Netflix, I don’t know.

Yes, The Puffy Chair = Rad Movie.

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November 4, 2005

WWMD?

I got an email from Momus today. I’m trying to send him a CD and he gave me his address and was real nice about it. For those unfamiliar, Momus is Nick Currie, a guy who wrote some weird pop albums in the mid-80s (I only know Tender Pervert; “Lucky Like St. Sebastian” is an amazing song) and has continued to record music till the present day. Along the way he started blogging and writing (writing about blogging even!) thereby gradually tranforming himself from musician to kind of all-around immersive hipster intellectual blog reporter.

I’m kind of fascinated by this guy, how he’s managed to make a living based on his interests and just who he is (well, that and his obvious skill at expressing said things in writing). My luck then that someone just posted this interview piece entitled “How to Live like Nick Currie”. One the most interesting parts for me is this:

Q: Would there ever be a self-help book: How to Live like Nick Currie?

A: I guess that’s always been my fantasy. I think anyone who is self-advertising, self-mediating, self-promoting, that’s one of the first thing you’re taught as a musician: to think of yourself as a product.

Ok, so that’s a little icky on some levels – self as product advertised by self – but some of it appeals to me. It kind of plays into this idea of living your life based on what interests you, becoming this kind of touchstone for interesting and creative things, which hopefully helps you feed your face. I think that’s kind of my ideal at this point – which might explain why I put my name and face on my frikkin business card. Whether I’m aware of and/or comfortable with the ramifications of that move is something I’m still trying to figure out. Seems like Momus would be, and that seems like a good thing.

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November 2, 2005

Unreleased Alan Singley Jamz! (mp3)

Alan Singley

Last week my friend Alan sent me a few mp3s off his new album, which the id3 tags tell me will be called Lovingkindness. Alan’s currently 10 tracks deep into the recording of this thing, which will come out early next year on the budding Slow January label.

For those who have not witnessed the genius of Singley, he makes rough and jangley indie folk stuff with a deep and whimsical sense of humor, and lots of light. One point of comparison would be Jonathan Richman, but it’s ultimately hard to pin Alan down to any one reference point, which is saying something these days.

Alan’s last album Audiobicyclette was mostly mellow and slightly trippy, a distinctly Portland mix of bikes, porches, rain, parties, and the occasional bout of deep brooding angst. It’s really good.

From these two mp3s, it seems like Alan is moving towards a more garagey, rough pop sound. I liked the old stuff, but I like this just as much. It reminds me of Steve Miller Band (a rare and good thing), old Beck, and other things too shadowy to recall.

If all goes well I will be helping get the word out about this record to magazines and such. I really hope that happens, because these mp3s are great and Alan is a crazy talent. Ok, here’s the frikkin’ mp3s!

Alan Singley + PANTS MACHINE - Short Sleeve Stumblah
Alan Singley + PANTS MACHINE - Bruises

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October 31, 2005

“Aimless Sex Zombies. Yeah. Bring it on.”

I just sent out a press release for this guy’s art show at Berbati’s next month. It’s the stuff above, plus some paintings. I really dig his comics, especially on this rainy Monday (bbbbllleehhhhhhh). Here’s the info:

Berbati’s Pan presents:

ROSS FARRIAR
showing his fabulous mix media works, namely paintings and cartoons

Showing November 3rd – 30th at Berbati’s Restaurant

Opening reception November 3rd, 6 – 9 p.m.

Music by Pippa Possible

Live Performances by Ross Farriar and his alter personalities

21 and over

Berbati’s Pan, 10 SW 3rd Avenue, Portland OR

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October 28, 2005

Yeessssss!

Yesss! #1: BUSH’S SHIT IS HITTING THE FAN. And the best part? This case encapsulates in one sensational nutshell so much of what is fucked up about this administration, and there it is, right on prime TV, for all to see. Politics over truth, drive for war over rational debate, CORRUPTION CORRUPTION CORRUPTION. All this on top of the 2,000th death in Iraq, Miers resignation, Katrina, etc, etc. For the first time in a while it feels like extremely powerful spades might actually be called spades; I smell hope.

Yesss! #2: Two of my favorite bands in the word, Nice Nice and Deerhoof, are playing together for the first time tonight, and many of my favorite people on the planet will be there, all at one show for the first time in forever, maybe ever. Nice Nice’s latest EP is entitled Yesss!.

YESSSSSSS!!!!!

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October 15, 2005

DON’T SLEEP TONIGHT

Don't Sleep Flyer

I am honored to be a part of this very fun event tonight, as curated by UrHo buddy DJ Safi, and presented by Connie’s rad DJ collective thing, Stylus 503. It’ll be really fun, so come out!

PS: Can you guess which one is me?

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Tar Pit #1

tarpit1 tarpit2 tarpit3

I bought this at Reading Frenzy a little while ago and just got around to reading it. I read the whole thing in one poop! Now that’s a good comic. “Tar Pit” is kind of a compilation of sort, which seems to be put together by the guy who does those excellent “Crappy Comics”. The contributors are listed as Tim Root, Corey Lunn (who has an excellent UrHo blog here), Tim Wenzel, Eliott Orr, Brandon Smyth, Levi Hanes, Josh Kermiet, and Tyler (no last name, like Madonna). My favorites are the two artists pictured above (anyone know their names?) and of course, Mr. Lunn. It’s numbered, which seems to imply they’ll be doing more of them. This is a good thing. Can’t see any website on it, but there is an email.

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October 14, 2005

Indian Jewelry (mp3)

indian jewelry

I saw this band open for The Planet The last night at Holocene. I’d read some good things about them on listservs and stuff (mostly from the E*man), and was stoked to check them out. Their sound is kind of a mix of bassy electro stuff like Alter Ego, tribal drumming a la Tussle, and weird psych rock like… um, I can’t think of an example right now. They filled the whole room up with fog, then went ballistic with the strobe light. It was pretty fucking trippy, maybe too trippy, depending on your personal trippitude. I was pretty into it, bought the above 7″ and am pretty into that too. The first track captures what I like about them – that unique mix of electronic and psych styles – and the other two don’t really grab me. I wanted to post that first track but I can’t find it online, so here’s one that’s kind of similar:

Indian Jewelry - Going South

Also, The Planet The are awesome. They are on tour now, and very much worth seeing.

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